Krown (Hammond B-3) and Walter Wolfman Washington (guitar & vocals)
started playing together with Russell Batiste on drums in March 2007.
The trio has been performing every Sunday at a local New Orleans nightclub,
the Maple Leaf Bar. The trio is a classic organ trio line-up featuring
the Hammond B-3 organ, guitar and drums. The combination of the soulful
vocals of Walter with the big sound of the Hammond B-3 (which Joe also
plays all of the bass parts on the B-3) has developed it's own unique
sound. The trio recorded and released a live CD, Live
at the Maple Leaf (JK1003) in the fall of 2008. Live at the
Maple won a 2009 Offbeat Award for Best R&B/Funk CD. The trio
also won a 2009 Big Easy Award in the "Best Rhythm & Blues Band"
category. In the fall of 2010, the Trio released Triple
Threat (JK1004), the follow up to Live at the Maple Leaf and
their first studio CD. The trio's current release and 3rd CD Soul
Understanding (JK1006) was released at the end of April 2013. In
November 2010 the Trio was invited to be part of 15 city U.S. tour called
"New Orleans Nights". The Trio performed a feature set and then
backed up Nicholas Payton and Allen Toussaint.
The trio has been touring all over the U.S. and the world since 2009.
Washington began his career during the fertile heyday of the 1950s Rhythm and Blues period that spawned dozens of Number 1 songs and made New Orleans the recording destination of choice for hit makers like Ray Charles and Little Richard. Born in 1943, Washington was on the road by his late teens spending over two years backing the great vocalist Lee Dorsey who was touring in support of his smash hits, “Ride Your Pony” and “Working in a Coalmine.”
His tenure with Dorsey took him to all of the great music halls in America including appearances at the famed Apollo Theater in Harlem. Before he went out on his own with his Solar System band, he also did stints with acclaimed New Orleans songstress Irma Thomas as well as with the legendary jazzman David Lastie’s Taste of New Orleans band.
During the 1970s, Washington began a 20-year association with one of the most important vocalists to hail from Louisiana- the late, great Johnny Adams. Dubbed “the Tan Canary” for his peerless vocal stylings, Adams was a mentor of sorts to Washington who developed his singing style while the two worked together at back-of-town clubs including a long stint at the famed Dorothy’s Medallion in the Mid City section of New Orleans.
When Washington formed his first band as a leader he was
often pigeonholed into the blues genre. But by taking his cues from
the likes of Dorsey, Thomas, Adams and the jazzman Lastie, his sound
reflects the full range of music from New Orleans. He certainly can
howl the blues, hence his nickname, but his musical talents have always
defined pure Crescent City soul. In later years, with the second rise
of funk, Washington fully embraced that genre as well.
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